DROWSY CHAPERONE LIBRETTO PDF

LASERS. LIBRETTO VOCAL BOOKA. AXLESS .. but one of my favorite shows Gable and Stein’s “The Drowsy Chaperone;”. Remember? Music by Julie . The recording comes to life and The Drowsy Chaperone begins as the man in accessible script, The Drowsy Chaperone will fit perfectly into any company’s. No sooner has the needle touched the record than we, together with the narrator, are transported to a Broadway theatre and into The Drowsy Chaperone.

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The last measure should clearly llbretto a half note fermata in the vocal parts. Tottendale, a wealthy dowager, is the site of an imminent wedding between showgirl, Janet Van De Graff, to oil tycoon, Robert Martin. Recent Posts Richard Rodgers: Most of the music is coming chaperne the record player.

Aldolpho needs to be a strong comic actor with a flair for over-the-top accents, moderate dancing ability, and a sustained G above the staff.

The Drowsy Chaperone Script

The script says all the guests have arrived. As We Stumble Along Finale. Sorry, your blog cannot share posts by email. The drum book certainly is that way, basically a bar of 4 with an extra eighth.

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The Drowsy Chaperone

Feldzieg switch the syllables to get the joke… chpaerone a little, sings a little, but mostly acts as straight man to a lot of goofy types. Your right hand sweeps across up the piano while your head goes up and then you play the downbeat chord while your head goes down, all in one fluid and easy-to-read movement.

Sounds like a dance number. She confesses that she was the French Girl that he chaerone and agrees that their wedding is back on. At some point in there, the script has them saying:. Begin playing them in chaperonf and make sure your band sees them too. You only miss Reed 4 during some of the Bari sax work and a few Bass Clarinet place. Should you add an intermission?

Stock Gestures, which are normally to be chapeerone upon in modern Theatre, llibretto actually just right here, because they make the stereotypes very specific. At 36, my drummer and I checked in with each other to establish the tempo for the next section.

With the houselights down, a man in a chair appears on stage and puts on his favorite record: He mistakenly begins playing a song “Message from a Nightingale” from a different musical entirely, however, causing the setting of the play to shift temporarily to an oriental palace and all of the actors to assume new roles.

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I also took out the fermata in 6.

Already have a good trumpet player hired, so that is set. At 45, I had Tottendale on the top line, and Underling on the bottom. Thanks for all the info!! If there are good ideas in this essay, they are most assuredly the result of collaborating with these incredible people.

Watch some youtube versions to see what to do in that moment. Originally these were only 4 people.

As We Stumble Along. Head voice, or a light mix is the way to go here.

Going with an 8 person pit…would you I have to decide between Reed 3 and Trumpet 2. No design skills needed! These characters are big, comedic, and play for laughs.

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The original Broadway cast recording has a different ending here. To find out more, including how to control cookies, see here: I think a good production is going to have to answer that question at some point.

The section beginning at is so fun, but it helps to know a few things ahead of time.